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This implies that a 10Dollar food price which may be unbearable for the average Ghanaian might be a meagre change to the Spanish because they earn more money as compared to Analysis: James G. Her mother married a fellow Danish immigrant, Peter Larsen, with whom she had another child. Irene is still vexed by Clare's consistent presence in her household, and she and Brian turn their talk to the possibility of a romantic linkage between Clare and Hugh Wentworth. She spends a morning wandering around Harlem, and then returns home, where she is expecting guests for tea. Irene receives a letter of apology from Clare but destroys it in her quest to try and forget about Clare and get her out of her life. During this time, women, especially black women, were used as sexual objects. Subscribe Sign up for our newsletter to get submission announcements and stay on top of our best work. Before the Harlem Renaissance began, people back then were not very open about being a gay or lesbian person. At this point in the story Irene realizes she can expose Clare's true racial identity to remove Clare from her life, and regain that security she desires more than anything. Passing: Authoritative Text and Critical Context. Instead she has been passing purely for personal gain. Critical reception[ edit ] "Passing" is on the whole an effective and convincing attempt to portray certain aspects of a vexatious problem. Fortunately for Irene, Clare remains away from the Redfield home as the Christmas season progresses. Their child ties them together and thus would make Brian stay with Irene even if they have a fallout.

In he passed the Townshend Acts, a tax on tea, glass, lead, paper, and paint. That, however, is not to say Irene does not possess good qualities.

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Deborah E. You're happy. After settling in, Irene reflects that Brian has changed in mood and temperament recently: he is more irritable and seems to be in a state of anticipation and secrecy. It is also a sign that Irene may not be as adept at controlling her emotions as she likes to think. Albeit she feels jealousy and fear, out of loyalty for her race, Irene does not follow through with her thoughts of exposing Clare. Mc Dowell. Meanwhile, Clare views motherhood as a requirement in her lifetime.

Such mental disarray is a clear register of the difficulties that Irene faces. The policy of multiculturalism was embraced by the Whitlam Labor government in Larsen, by cramming these pages with such dramatic incidents, could simply have been trying to deliver the most dramatic send-off possible for her characters.

Helena Michie categorizes the relationship as "sororophobic", [52] a term she defines as a "fear of one's sister.

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There has been no greater good. Her mother married a fellow Danish immigrant, Peter Larsen, with whom she had another child.

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In fact, they have separate rooms. Seeing Irene sparked a desire in Clare for her to get back in touch with her African-American culture. They also demonstrate how they cross clearly defined class borders in order to obtain more power in their life. Irene passes in the Drayton Hotel, where she wonders if the woman staring at her could know she was a Negro She desperately wants to be left alone by Clare, even as she fleetingly thinks at the cost of a calamity within Clare's family. For example, several times in the novel, Irene acknowledges the way white people racially designate physical traits to African Americans in order to identify them. The novel describes Clare as "a sweetly scented woman in a fluttering dress of green chiffon whose mingled pattern of narcissuses, jonquils, and hyacinths was a reminder of pleasantly chill spring days". At many instances in the book, she seems as an average person going on with her life. Irene displays it here when deciding whether to expose Clare or not "She was caught between two allegiances, different, yet the same. There was the Rhinelander case. Rottenberg shows how the main characters in the novel confront normative characteristics of white culture. The other, Clare, passes in order to not only gain advantages but to also fully assimilate into white society. Both point to Irene's jealousy in terms of her appreciation for Clare's charisma and desirable appearance in the novel. The only time we see other characters is when she is interacting with them.
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In Nella Larsen’s ‘Passing,’ Whiteness Isn’t Just About Race